877 records join with longtime friends and collaborators to present the well rounded rebel alliance ep. klic and riskotheque lead the way with their track compton, a bass heavy anthem already rocking the clubs and doing damage on radio. stomping 808&#8242,,,,,s, sing along vocals and acid arpeggios join perfectly to form this instant classic. donga & blake more than do justice to the original with the compton give a dam jam remix. a perfect example of their sublimely considered approach, the reworking is an altogether deeper four to the floor roller using only finely selected elements from the original. well rounded in the house! next up is skeleton grin by donga & blake + richta. this original composition features vocals by donga over an intense and metallic techno-esque bass and kick. we are true believers in the power of a b-side and this is no exception.

the next instalment, we feature artists from the growing lht family jamie blanco opens the record with his accomplice sam mensah on singin duties - jamie and alphonse worked in the studio together on this version we think will appeal to fans of real house music next up is bintus of power vacuum with his first original track on lht and theres no messing about - raw acid and stripped drums and at a pace that we can dance too, label boss alphonse opens side b with a deep 808 jam and this is followed by lht studio wizz facade who finishes with another piece of what can only be described as big.

the new-comers collective citizens above suspicion delivers a solid 4-trackers, in which 2 tracks are as an homage to the beloved detroit underground. effective & functional material for djs, at whatever time of the night. 808 & 909 are the key on this release

includes alex bau remix.

das duo cocolores meldet sich mit einer brandneuen 12inch auf compost black label zurueck. auf der a-seite befindet sich ein wundervoller, stylischer house-tune mit allerlei uk-referenzen, waehrend die b-seite von einer gefuehlvollen 808-bassline gepraegt ist. cocolores sind das neueste signing des berliner exploited labels, und künstler wie maja jane coles, luciano, joakim, ewan pearson oder trickski haben sich bereits als fans ihrer produktionen geoutet.

the third installment in studio barnhus special coloured 10 series brings together norwegian soundbwoy killa boska with pedrodollar - that wild, elusive beast of studio barnhus - on shiny green 10 vinyl, strictly for the real djs. boskas smooth yet bumpy club anthem has been the highlight of many a studio barnhus dance party over the last year. on the logo side, theme song showcases pedrodollars brilliant way of cutting and pasting emotions, melodies and noise to perfection. 300 copies worldwide baby!

hard ton are back. their 2nd ep on new german house label toy tonics. what to expect? as usual they deliver super effective 90ies house. made with the classic sounds of juno, 808, 909. and and even more effective remix by dj sprinkles. this is real house! house that makes the booty shake!

scan mode and alvaro sanchez, two well-known and talented spanish djs, come together to run the so-called raw rootz alliance, which is also a new record label.under this name, they produce house music on the basis of sounds from the legendary roland tr-808 and tr-909 drum machines

after introducing ir with his bombshell ep 808 horizon , limikola returns with a massive release from lado including a great remix from sci+tec s xordo. both guys are new to the imprint and show, why they have been signed - quality music.

massimiliano is back where he belongs. a backbone of live at robert johnson records, pagliaras take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. with this sound palette, a love for hardware and surgical arrangements > magic serials< sees the berlin-based producers on top of his game. while name checking the tools of his work (the serials, got it?), mp unfolds untold stories of love, high spirits and deep meditation that every romantic rave craves for – acid poetry included.

foolish felix dickinsons superb cynic label land a repress of this much sought after uk acid classic! this release is finally getting a very limited re-press. dusk till dawn is an old school acid house slammer reminiscent of tracks like mike dunns *let it be house* and armandos *151*. 808 drums and double 303 acid lines combined with pitched down vocals. played by everyone from larry heard to mark archer. liquid soul drops is a more modern weirdo slow-mo acid jam as championed by andy weatherall.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

mixed by eddie flashin fowkles, brill detroit traxx.. 2012 repress

pulse locker refers to the analog method of synching analog modular instruments and drum machines, a method of working john tejada & josh humphrey have embraced to generate their trademark sounds and grooves. preferring to work away from the computer as much as possible, john and josh have adapted a more old school approach to their work, syncing analog gear together, not from a computer, but the way it was synced back in the day. the results are a tight, organic analog sound showcased particularly by the 2nd track >bifur gates<. with a tr-808 as master clock, syncing the modular system, the sound takes you back to the mid 90s era of techno. real 808 beats, punchy bass and an ever so shifting classic chord line will leave you lingering for the days of old. on the a side, >pulse locker< with its big and warm groove, gets things moving with a blend of house and techno. rounding out the ep, >unanimous arc< showcases the mad acid sounds possible on the sh-101 while modular chords elevate the track to a manic pace. >pulse locker< marks the duos third collaboration on palette recordings.

barn 011 is an ep from our polish friend slg who delivers his finest work to date. five perfect tracks ranging from sample flippin modernist house to 808-laced lullabies and back. guest artists are equally polish supastars catz n dogz and dj mo. artwork by studio barnhus new in-house art director makode linde, the record is limited to 450 copies worldwide.

berlin based producer and dj philipp maier aka sante has already an impressive discography on labels like cocoon, rekids, souvenir, 8bit. on desolat he debuts with a remarkable 4 track 12inch. sante has the groove and engineers a exciting houndtrack to the future house partys.

rhythm odyssey is a production alias of the one and only dean meredith (chicken lips, goat dance etc) here he has teamed up with dr dunks (eric duncan, rub-n-tug) and tis second part of their 2 12 series, the duo have crafted some deliriously good mid-tempo balearia, circles could be a long lost remake of e2e4, and has sunset moment written all over it. >glow< takes the same ingredients and transports them into early 80s dubbed out territory - superb!

on the heels of the success of tin mans – s_mpl_house ep shaddock is proud to welcome another true master for the labels fifth release: j.t.c.
originally produced for tim sweenys beats in space radio show the title track was heard in one of j.t.c.s dj sets during a night out in berlin and was signed to shaddock on the spot. heavy on the synths with a stirring bass-line and a driving 808, beats in space is destined to shake-up every dance-floor.

switch and erol alkan come together on what is possibly phantasys heaviest release to date. saturated acid lines, scratches, vocal snippets and the biggest kick drum this side the planet 808 dominate a track originally conceived back in 2009. brilliant remixes come from night slugs co-founder bok bok, and new yorks willie burns whos recent release on l.i.e.s has been staple in erol alkans sets for musch of 2012. released on limited edition acid splash vinyl. artwork by greek artist dimitris rokos, label and postcard design by north internet

new tracks from detroits acid wizard, the one and only jared wilson. as with his past releases, always in demand and always sell out!

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

limited to 300 copies, red vinyl ... raw analogue berghain styled techno ! support from ben klock, speedy j, brendon mueller, tommy four seven, tony rohr

manare treats his productions as any other stuff he is involved in, like the fresh prince of paris that he is. just one hearing of this new ep and you will understand what manare has to say: a lot! >quartz< is a deep technoid house groove full of rooted vibes, what some call organic sound, which will takes you on a journey to a future motherland. the flipside >down to dis< is a heavy bouncing 808 beat, lifted by colorful chords and that fat loaded bass so cherished by the clekclekboom fam. this 2 tracks number combines an impressive wide spectrum of club music… a head nod guaranty, any time any place, whatever mood you are in. limited edition heavyweight 180g 12 inch vinyl.

a workshop family house affair

home to a selection of the globes most cutting edge talent, the rekids imprint is proud to present the debut full ep from one of the scene heroes in toronto, nathan barato. backed by remixes from oliver $ and masked talent 808 fake, back up queen is set to burn through dancefloors with its pumping old school drive and rough edged soul.

this is a tremendus party rocket... full primetime power house weapon.... incl gesaffelstein & joakim rmxs

spring 2012, in his dark analog moustache records homestudio downtown rotterdam city david vunk made his bowie ep. this energizing ep contains 3 various styled tracks for the dancefloor. on the this side the track forever always a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. deep deep deep! 45 rpm rolling. on the that side two tracks. a notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called disco sysex. the b2 track called vroezenpark sounds like it comes straight from hell, a dusty techno track with berlin infleunces, tr-909 drums and a roland jupiter 8 synth. insane and paranoia style. this very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies.

after the well received clone s.o.s.>all around the fires< ep and his debut vidd 001, marco shuttle starts an adventure with his very own eerie records label. first trip is a great 3 track ep in marco s signature sound. deep, super deep acid & 808 driven grooves and dark dubby reverbed drums and dramatic strings. phat tracks that sometimes remind of early aphex twin works on the selected ambient works and surfing on sinewaves but then the marco shuttle way. dont sleep on this one! recommended.

vinyl only ltd to copies! avotre present santes first release on his new born label. homegirl is a vinyl only summer tune. a mixture between house and r&b, smooth and chordy, for sunrise sets and open air feelings, perfect for homeboys and homegirls. the flipside features a remix of rampa who is also well known from the berlin label keinemusik. cause no one fits better for the hookline >can i take u home girl< like the brother in crime rampa. his remix increased the dancefloor hysteria by picking up a percussion and 808 groove. early support by the berlin crew &me, adam port, re.you.

raf camora, bekannt durch unzähligen alben, mixtapes und kollabos u.a. mit sido, nazar oder chakuza, zuletzt auf tour mit k.i.z., ist einer der schillernsten persönlichkeiten der deutschsprachigen rap / hiphop szene. einer der keine grenzen kennt. einer der sich nicht einengen und damit festlegen läßt. seine beats, raps und hooks suchen in deutschland, Österreich und der schweiz ihresgleichen. raf 3.0 ist die konsequente weiterentwicklung des raf camora-sounds: aus ein paar gesungenen hooks und der liebe zum jamaikanischen dub so wie hartem rap von der straße, ist ein ganz eigener sound gereift. raf 3.0 führt melodiösen reggae- und dancehall mit den harten 808-drums und synthiebeats des dirty south-rap zusammen. die treibenden beats veredelt raf mit seiner ganz eigenen, charakteristischen art zu singen. raf 3.0 ist rougher reggae, wie ihn die öde deutsche musiklandschaft noch nicht gehört hat. 3.0 ist nicht nur etwas neues - es ist eine verbesserung und optimierung hin zur perfektion. einzigartig und bewegend.

super limited 12 from rob mellos no ears outlet. we literally only have a handful of these. reminiscent of classic landshark jams, this punchy 808 led, quirky vocal house workout has all the trademark no ears elements.

nice price deal !!! hallucinating, mechanical, and dark, spatial techno from three legged race. the wrong element ep solidifies robert beattys recent mind bending live performances into proper physical form: a 12 inch extended play record. the high voltage lines of slum moog and brick 808 define the all saturating sound seeping from the black lead earth of lexington, kentucky. the mastery of tension and release found throughout beattys work with hair police and burning star core is here crystalized into a rich and daunting psycho-physical techno fit for the club and the basement. listen with the lights off.

after a long silence iron curtis returns with his magic. thoughts on is the producer’s debut single for 4lux. proper house and disco tracks! the original mix of thoughts on is a banging deep house joint with haunting melodies and cut up vocals. the 2012 version provides for a more jumping bassline and hard hitting straight forward beats. iron curtis goes mental on oh come on with his cut up and vibe-heavy jazz samples and heavy pounding 808 beats. relentless! on interlude in the park the lights are dimmed and the tempo drops. a slow disco burner for those who love slow jams.

for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

deep bass, rocking 808 percussion and hypnotising stabs, are the ingredients for this tech-house monster.

phillips is the magnificent debut album by phillip lauer on running back. frankfurts melody man has amassed a body of work that includes the adventures of arto mwambe, top singles (delta nrg) on his extinct brontosaurus label for permanent vacation or live at robert johnson as well as remixes for the likes of maxmillion dunbar or with the tuff city kids project. the twelve songs that make phillips have been described as 808 state kissing movin records while cluster are in the room –, or a dolby nr tempest. whatever you want to call it, it has all the ingredients and romantic notions that can make dance music oscillate between the sacred and the profane: house, gloomy gothic grooves, cock-eyed electro, new wave trance and lots of songs without words. the power of lauer. available on cd, nine track gatefold lp and digitally. escorted by two tensnake remixes of trainmann on rb032 and more to come…,.

hailing from south africa, sfr lays down his first imprint for wheel and deal. vha venda: tribal style vocals open to stomping 808 half step roll out building into a broken 4×4 skank. nci nci: carrying the latest wheel and deal 4×4 electro style with gritty lfod bass and skipping drums. dance floor smasher.

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure

brilliant deep house mover with tevo howard remix

qvasi naves is bflechas comeback with arkestra, an alloy of golden era spanish pop, r&b, contemporary electronica and classic dance music on a quest for the definitive 21st century pop music. the record boots up with the instrumental qvasi naves, a triumphal march with plenty of pizzazz, winding horns, bursting synths and spattered 808 percussion, breaking into an uplifting crescendo of piano house stabs and warehouse diva screams

john tejada & justin maxwell are at it again with a new 3 song ep. following in the footsteps of their classic release >mindbend<, the duo continues their unique approach to collaboration using a hardware modular synth setup. the title track >our gigantic mistake< is a unique blend of 808 beats and screaming modular synth lines. the b sides >whoops (there it is)< and >wheres the cable?< explore a darker side of dark acidic late night techno.

although it has found emotional music from france, russia and south africa over the years, for this release it returns to the birthplace of deep house, chicago, to focus on up and coming producer matthew wieck. opening the ep with the wiry tones and lush pads of >flying feeling< whichs take you up into the stratosphere with its floaty vibe, its complimented by >hydroacoustics<, which utilises an aquatic arpeggio lead and warm, oozing pad underneath, held together with crips, charged percussive work. on the flipside >worlds beyond< demonstrates wiecks darker side, with an acid bassline riffing against cavernous piano in what sounds like a more introverted take on larry heard. altered moods boss malcolm moore finishes off the ep with >cleared direct<, an 808 jam held together with foggy chords and disembodied radio transmissions - the perfect compliment to wiecks fine material.

lunar disko records begins 2012 with a milestone 10th release from local hero automatic tasty, aka jonny dillon. the strange terrain ep is the eagerly anticipated follow up to his debut 12inch. in it for the money on ldr. the amusing keep your receipt kicks off the ep, where the idiosyncratic mr. tasty makes a cameo vocal appearance on why you should have eh kept your receipt! beannach mhor is next up,and is a fine example of how the auto tasty sound is evolving ever more. the up-tempo over the hill completes the a-side, a rumbling 101 bassline beneath catchy keys continue the automatic tasty explorations of the strange terrain. the lunar favourite tropic exchange begins the flip side with more vintage sounds crafted with dexterity to create that unparalleled automatic tasty sound. completing the ep is small hours, a rolling 808 jam with twinkling imaginative melodies that makes for a perfect ending to another timeless ep.

following up the well received >relapse ep< on machining dreams, dj/producer steven tang presents >mmmmmusic< under his obsolete music technology moniker. the 4-track, 12 inch vinyl single focuses in on melody, which has become the signature sound and of his label, emphasis. upon first listen of the main title track, you will hear a driving tr-808 drum intro, then lush, emotive pads and strings comes in over the top to give the listener that emotional hook. setting off the track is the funky synth bass voice sounding , >mmmmmusic!< backing the title track is the stripped down >reprise version< and >chicago skyways pay toll mix<, where the synth bass voice is extracted and cut up into skyways frenetic drum programming style reminiscent of steve poindexters >work that motherfucker<. also includes the track, >distance.<

seven tracks on the new lowriders release and its a real joy to listen to! the ep opens with the cheerful title track with the likes of kissey on vocals and it is amazingly sticky and feels like a compendium of 30 years of electronic music, with seemingly effortless transitions between detroit house, booty bass and future music.baby treats you on a twostep/house bumper which will kill you. bek is like your 808 swingbeat ghetto track: redundancy to the bone covered with bubbles and some essential vocoder science. sduk makes baby into a dancefloor stomper, whereas starkeys interpretation of field (which appeared on our beatitude compiler) adds and enhances drama and suspense from the original.and then there is the magical krampfhaft remix of tic tac toe, a worthy last track, schizofrenic, driven and recognizable as a mutated juke screamer.
pressing on orange marbled vinyl.

vibe003 remixes ep was born when the magic voice of michael franti, famous american singer, met the club-vibes of these guys.... that had retouched the single >theres enough for all of us<. from the elegant techno of deepchild (trapez, affin), to the deep dry-groove of butane (crosstown, alphahouse, rrygular), we are pushing on the wall by the man-of-the-moment in spain, marcos in dub (goa, highgrade, monofunk)... where funny techno and warm ambient make you dance smiling. this remixes ep is closed by an old-school house remix ofmussen, where the 909 and 808 sound is all you need...

ac_09 / urban works 4 ep is the collectable following to db_24s >ac_06 electro sessions< and is packaged in the same cover as >suburban outtakes<. it is a clear vinyl limited edition ep.
the 4 exclusive tracks are inspired by urban feelings & made in the analog tradition, with dedication to former detroit electro and hints of fresh urban flavors. tr-808 based drumkits are melted with sounds of reality, darkness, depth, tension, force, hope, motivation and uncompromised music research the endless urban wandering continues, under permanent reconstruction.

meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.